And he doesn’t do much of note with star Gong, who’s often reduced to the main object and not the actual subject of her scenes.
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Lou’s short-sighted vision for how to represent the past keeps “Saturday Fiction” from effectively conveying the tragic uncertainty of living through interesting times.
In the press notes, Lou suggests that his characters couldn’t possibly know what’s about to happen: “Unaware of the future, they are simply living their lives as usual…”īut there’s also no way for viewers to appreciate what life was like for these characters beyond a few over-determined details, like the scuffing of their shoes on the cavernous soundtrack or what their faces look like in extreme and uncomfortably leering close-ups. The Japanese want control of the French Concessions, particularly the Cathay Hotel, and they’ve got more soldiers and guns than either Yu or her colleagues do. The movie’s depressed color palette and lurching pace give it a gauzy, funereal quality that clearly lets the viewer know that none of what you’re seeing will last for very long. Steve McQueen WWII Doc ‘Occupied City’ Picked Up By A24 and New Regency But while Yu’s only working Furuya over in order to bust her ex out of jail, the actress hesitates and seems lost during conversations with a rotating cast of nosy and insistent men, like the play’s handsy producer Zhiyin Mo (Chuanjun Wang) and the hotel’s two-faced manager Saul Speyer (Tom Wlaschiha, “Game of Thrones”), all of whom expect Yu to put on a show for them. She’s got feelings for Tan and a sense of obligation to her ex-husband Zeren Ni (Songwen Zhang), who’s been imprisoned by the Japanese. The vague connection between Yu’s dual roles makes it hard to take “Saturday Fiction” seriously as either historic fiction or arthouse fantasy. Yu takes cues and reacts to various fair-weather co-conspirators but doesn’t really seem bothered by anything beyond whatever circumstantial peril she faces. On stage at the Lyceum Theater, Yu plays the defiant leader of a factory strike in the movie, she’s bait for Captain Saburo Furuya (Odagiri), since Yu resembles Furuya’s dead wife Miyoko. Staying at the luxe Cathay Hotel, a French Concession, Yu drifts on- and off-stage without much dramatic incident.
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Gong plays Jean Yu, a famous actress who returns to Shanghai to perform in “Saturday Fiction,” a theatrical play within the movie that co-stars Yu’s lover Na Tan (Mark Chao, “Detective Dee: The Four Heavenly Kings”). Why Gong Li Traded in Her Glamour for the Chinese Sports Movie ‘Leap’
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